Ikkat
Today we met a man from Koyyalaguddem village.
He can transform any design you give him into geometric drawings that somehow turn into strings with ink dots on them that will eventually translate into a weave of your design.
As we sat on the floor of his work room, where many colorfully dyed threads of yarn lay drying, he showed us pages after pages of his designs. Although we couldn’t understand what he was saying in Telugu to the Prasads, we could tell from his expressions just how excited and genuinely interested he was in his work. I knew I was in the presence of an artist, and a talented artist at that.
But the talented artist hasn’t had anything to do in the past 4 days. Why? Because there isn’t enough demand for the weave he produces.
Our entire group found this fact astonishing. How could you not want a piece of his work? The colors are vibrant, the patterns are gorgeous and you could get anything you wanted. What else can you ask for? But because of globalization and inflation and a bunch of other economical and social factors at work, the artist has found the price of his raw materials to be increasing and the selling price of his works decreasing. So the artist, along with the other weavers in the village, often finds himself out of a job.
Our guide told us that a while ago there were around 2,000 weavers living in this village, now there are only 1,000. The skills of the trade are passed down from father to son, but now because of the instability of the trade the younger generations are branching out into other sectors of the economy. Our artist’s three sons now all live in other parts of India, some have completed medical school, some are in the IT industry and some are ready to embark upon a trip to the U.S. His wife has also moved out of the village to live with one of their sons to enjoy a more comfortable lifestyle. And the artist has remained to live in a two-room house on around 2,000 rupees a month.
He teared up when he told the Prasads how he cannot afford to have his whole family back for a reunion. And how he can’t afford to do anything for his grandparents because he just doesn’t know how much money he will be getting each month.
He says he believes the specific technique of weaving he knows is at its “twilight” stage.
As we walked around the quaint village some more and visited a few more houses we see what he has been telling us. Everyone makes a living through weaving, so when there is no demand for these weaves, there is no living to be made.
It was hard to imagine that these heartbreaking stories are hiding behind the beautiful weaves and saris we purchased from the stores; the cloth looks so innocent as it sits there in all its glory.